Mashruk Ahmad

The recent attacks on mazars and darbar sharifs in Bangladesh highlight a systematic narrowing of public space, a policing of cultural expression, and the rise of Islamist extremism, reflecting a nation forgetting the longstanding cultural and religious influence of Sufism in the region.

An indigenous photographer documents the lives of people in the hills under military rule to bring to light a reality that does not find space in mainstream media.

A visual storyteller built a project which archives shreds of memory and identity of the Rohingya in one common space from across the world and generations; and tells the story about the life of a community rather than the destruction of it.

Considered an ‘apolitical’ group, this cohort of students also risked their lives to stand up to the government in July last year. But after August 5th, private university students have been all but sidelined.

Private university students did not have a stake in the quota reform movement initiated by public university students last year. But when the then-government used unlawful lethal force to suppress the protests, they took to the streets risking their lives and breathing new life into the movement.

The border between Bangladesh and India is not just a fence of steel and wire – it is a scar across collective memory, a forgotten chapter written not in ink, but in blood.

Each piece of clothing sewn tells a story of intense labour. Each tea leaf plucked whispers about unjust pay and the enduring shadows of colonial rule. Every exported item from Bangladesh carries an unseen human toll – often paid quietly, in suffering.

From the Language Movement in 1952 to the July Uprising in 2024, the female student halls of Dhaka University have played a key role in shaping Bangladesh’s political history.